Reading through a list of AC30 users is like rattling through a Who's Who of contemporary music – The Beatles, the Stones, The Yardbirds, Rory Gallagher, The Edge, Brian May, Jonny Greenwood, Ed O’Brien, Noel Gallagher, Matt Bellamy, Tom DeLonge… Who hasn't played this thing?
#Best fender amp for home use full#
Read the full Fender Blues Junior IV review Little amps can sound a bit 'boxy', but this feisty Fender is no worse than any of its competitors in that respect. Few other amps of this size and cost can compete with its lineage, all-tube design and genuine spring reverb.ĭownsides? If you're looking for a home practice amp, then be warned that, despite its small size, the Blues Junior IV is a pretty loud bit of kit – perfect, in fact, miked up for small gigs. However, if you prefer, you can choose Fender's slightly more expensive Blues Junior Lacquered Tweed version, which is fitted with a more vintage-voiced Jensen speaker.Īwesome tone aside, a big part of the Blues Junior IV's appeal is its manageable size and weight, and affordable price. The Blues Junior IV's 12" Celestion A-Type speaker, famed for its sparkle at lower volumes and adored for its growl when driven, is an inspired choice. Stomping on the Fat switch now serves up mids beefier than a thick slice of sirloin. Lows have lost their flabbiness and the highs glister rather than pierce. The reworked preamp circuit also lends a creamier, more powerful tone across the board. In fact, this latest iteration, the IV, has been modded to provide more headroom – a quality that was somewhat lacking in previous models. It's wearing a Fender badge, so you can also expect the kind of clean, sparkly tones that will always be associated with Leo.
Provoke it and it'll spit scalding fire and brimstone, but backing off a touch will reward you with the most gorgeous saturated tones, worthy of boutique amps many times the price. The California Tweed is also available as a head. With its warm bottom end, crystal highs and long-tank spring reverb, it'll reward you with some of the best tones you'll ever hear from your guitar. Whatever setting you choose, Randall's California Tweed delivers on its promise of delicious 6V6 smoothness and dynamics. However, the reality is much more nuanced and interesting than that. Simplistically, the 2W setting is perfect for high-gain sounds in a home setting, while clicking around to 40W will give you a ton of clean headroom for your effects rig. For each selection, different circuits and operating classes are brought into play, offering different voicings and providing scope for endless tonal experimentation. The Multi-Watt selector is fascinating because it offers much more than just the five power levels marked around the dial: 2W, 10W, 20W, 30W and 40W.
#Best fender amp for home use plus#
There's a normal input plus a clean input, which is padded down so that it doesn't drive the preamp as much for maximum headroom. The uncluttered control panel features just seven chicken-head knobs for gain, master, EQ, presence and reverb, plus a Multi-Watt selector, which alters the output from 40 watts down to just two. The California Tweed 6V6 4:40 is a delightfully simple amp, both to behold and to use.
He loved the organic-sounding voicings, and the way they smoothly transitioned from sparkly clean to distortion and back again, which was partly down to their use of 6V6 tubes. The story goes that when Randall started building Mesa/Boogie amps in the 1960s, he was heavily influenced by Leo's tweed circuits. It's Randall Smith's homage to Leo Fender's amp designs of the 1950s – hence the 'Tweed' moniker. However, this stunning amp is a complete departure. Loads of gain and lots of sliders, switches, knobs – you get the picture. Mesa amps have a reputation for being complex monsters, and we love them for that.
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